Today I’d like to introduce you to Catherine Schaff-Stump, one of my fellow writers from the Taos Toolbox workshop I attended last summer.
Catherine is a fantastic speculative fiction writer who tends to write for younger ages. She interviewed every member of our workshop class (which you can find here) and now it’s time to return the favor.
1. When did you know you wanted to be a writer?
My older brother is an artist, so I knew that couldn’t be my thing, because then I would be a copy cat. One year, he painted a beautiful bird on a block of wood for my mother for mother’s day, and I whipped out a small (and somewhat maudlin, I’m pretty sure!) poem which he calligraphied underneath the bird. My mother gave me a great deal of praise, and that’s when I knew that this was something unique that I could do. So I began to write stories.
2. How would you describe your writing?
I do two kinds of things: kind of a madcap middle grade kind of thing (like in Hulk Hercules) and kind of a darker, gothic kind of thing. I’m a Gemini, right? There’s a fundamental dichotomy in my character.
3. How much research do you do for your work?
A LOT. I’m a former graduate student, so I’m not proud. I like to research and try to get things closer to what they might be like. Even when I’m making something up, I like to do some real world research as a basis for beginning.
4. What are you working on right now?
I have finally begun the first of five books about a family of demon binders, so right now I’m writing about two fairly quixotic sisters and their struggle for power and romance. There is at least one nice guy in the book. Awful things will happen to everyone. Somehow I find that satisfying. 😛
5. How did you come to apply for Taos Toolbox?
I’d been to Viable Paradise, and that gave me some faith in my ability to make it in the writing game, but I thought I need to push myself further than that to make it professionally. I’d been engaging in writer education—reading a lot, going to a couple of seminars, and attending writer education sessions at cons. Many of my friends had been to Taos, and thought it would be a good next step for me. So, I applied, and the rest is history.
6. What advice would you give to someone attending their first writing workshop?
Get used to criticism. Listen and be gracious. Realize that someone else’s opinion may have insight for you, but you must also trust your instincts. Try to treat your critique group as a team, and you may have a great group of friends later. Lend a hand. Give good crit. And remember, if you’re just there for someone to tell you that your writing is great, you’re in the wrong place, and you’ve wasted a whole lot of money. Be ready to learn.
7. What is your writing goal for 10 years down the line?
In ten years, 2023, I will be (da-dum!) 58. My hope would be to be retired from my full time job as a college professor. I would like to then be a full-time writer living on my retirement income in Florida. It would be awesome if I even had published one or two novels already. I would still be half of one of the greatest romances of the 20th/21stcentury. This sounds pretty idyllic.
8. Many of your projects have series potential. Why do you think that is?
Because my brain keeps asking what if. For example, the first Klarion character started as a support character in another story, and he told me about his family. And then I said, what were your parents like, and then your grandparents? And where did the curse come from? And what do all the cosmological forces get out of all of this? And…on and on. Just the other day, someone asked me a question about Carlo’s granddad as I was sharing the book, and I thought crap. More what if.
I’ve never been a writer who’s lacked material. I’ve always lacked time.
9. What do you think is an important quality writers need to have if they are going to succeed in this field?
Just one? Persistence. Through the good times and the bad. Through the rejections and the apathy of sometimes not wanting to write. Through the silent periods of agents and editors. Slog on, little writer, slog on. The only way out is through.
I would also recommend a thick skin; the recognition that you will sometimes be saddened and depressed by constant rejection, and that’s okay; and a great support group of friends and family that believe in your writing when you are not equipped to do so.
Remember, it’s not you. It’s not them. It’s the right story in the right hands at the right time. Keep writing until that happens.
10. Where can readers find more of your work?
I am mostly in print these days. My middle-grade novel Hulk Hercules: Professional Wrestler is available widely on line. You can find two of my short stories, Turtle of the Earth and Mark Twain’s Daughter in Cucurbital 2 and 3 respectively, and those are available through Paper Golem press. If you’re very lucky, you might find a copy of the electronic Needles and Bones which contains Sister Night, Sister Moon from Drollerie Press, although that is now out of “print.”