My drabble Evolve is now available in Issue 8 of Luna Station Quarterly. The full issue is below. Happy reading!
var gaJsHost = ((“https:” == document.location.protocol) ? “https://ssl.” : “http://www.”); document.write(unescape(“%3Cscript src='” + gaJsHost + “google-analytics.com/ga.js’ type=’text/javascript’%3E%3C/script%3E”)); try { var pageTracker = _gat._getTracker(“UA-15029142-1”); pageTracker._trackPageview(); } catch(err) {}
We interrupt our weekend radio silence for a special announcement. Ahem…
I just found out my drabble “Evolve” was accepted for publication by Luna Station Quarterly. It will appear in their drabble issue out on December 1st.
Luna Station Quarterly is a magazine focused on speculative fiction written by up and coming women authors. They have some amazing stories available, so check them out.
Also, my short story “The Tradeoff” will be appearing in the Fat Girl in a Strange Land Anthology from Crossed Genres Publications in February 2012. The pretty cover is below.
For your further edification, there’s a great post by a fellow author at Following the Lede on why this anthology is so important.
Happy weekend!
var gaJsHost = ((“https:” == document.location.protocol) ? “https://ssl.” : “http://www.”); document.write(unescape(“%3Cscript src='” + gaJsHost + “google-analytics.com/ga.js’ type=’text/javascript’%3E%3C/script%3E”)); try { var pageTracker = _gat._getTracker(“UA-15029142-1”); pageTracker._trackPageview(); } catch(err) {}
The Story behind the Story is a blog post series where I share the behind the scenes info for each story I’ve had published.
Last time, I talked about my story Summer in Exile, published in the September 2011 issue of Eclectic Flash. Well, I am fortunate enough to also have another story in the issue—Elegy, my first published speculative story, which is also available online.
Elegy explores the use of implants – think wireless devices linked to your brain – in a religious context. Implants are something that both my speculative fiction WIPs deal with in some way, but I never looked at them through a religious lens. Then on one March 2010 evening, my prompt-based writing group chose to do a writing exercise on religion, and I thought aha! here’s my chance.
I then took my draft, polished it up, and shared it with my now-defunct writing group at the time. Every one liked it, but they wanted more. I’ve talked before about how my writing friends sometimes think my short stories are really novels in disguise, and feedback suggested Elegy was the same.
Later that summer, a different writing friend was visiting me and I was lamenting how people kept telling me to expand this story and how I didn’t want to. He told me, “You are the author. It’s your story. You know best.”
In subsequent months, I tried expanding the story, but nothing seemed to work. I remembered my friend’s advice and focused all my energy on revising that original scene that got me excited about the story in the first place and made it shine.
I started submitting the story in Spring of 2011. On May 3rd 2011, I sent the piece off to Eclectic Flash, and it was accepted the same day as Summer in Exile.
The Numbers:
First Draft – 326 words
Final Draft – 878 words
Days from Idea to Acceptance – 420
Rejections – 2 form
7-day acceptance
The Lessons:
Know what advice to accept and what to reject – This kind of thing can only come with time and experience, but remember that not all feedback you get on a story will necessarily help make it stronger.
Remember that YOU are the author of your work – Sometimes determining the size or focus of a story is as simple as deciding what story you want to write, and then concentrating on every aspect of craft to get it there. Simple, yes, but not always in practice.
No revising or redrafting is ever wasted work – I wrote a couple thousand words trying to expand Elegy, and then threw those scenes out when I decided they weren’t working and that the heart of the story I wanted to tell was in that initial draft. But I wouldn’t have come to that realization if I hadn’t taken the time to try to expand the story in the first place.
Happy writing!
var gaJsHost = ((“https:” == document.location.protocol) ? “https://ssl.” : “http://www.”); document.write(unescape(“%3Cscript src='” + gaJsHost + “google-analytics.com/ga.js’ type=’text/javascript’%3E%3C/script%3E”)); try { var pageTracker = _gat._getTracker(“UA-15029142-1”); pageTracker._trackPageview(); } catch(err) {}
This post is the first in a new, irregular series where I talk about the path to publication for each story I’ve had accepted.
Thanks to the response I got from my post Pen Names and Other Problems, I’ve decided to go ahead and share my writing credits. I haven’t officially linked my name to this blog, but baby steps. We’ll see how it goes.
Anyway.
My story Summer in Exile was published in the September 2011 issue of Eclectic Flash, which is now available online.
I first drafted the piece at my prompt-focused writing group way back in late November 2009. The particular prompt had each of us select a phrase from a book that we would then later incorporate into our story. The phrases were as follows:
I was pretty happy with how my story came out and decided to tinker with it a bit before sharing it with my now-defunct crit group. The other members were positive about the piece, and their only suggestion was to try to incorporate some backstory to make the character more real. But after a few attempts, I felt I was changing the heart of the story too much, reverted back to the original version, then went ahead and submitted it to a few markets starting in Fall 2010.
Rejections.
One market was kind enough to offer me some personalized feedback and again pointed out the issue of character. By now, some time had passed and I reworked the piece again, trying to flesh out the main protagonist. I shared the story at a local open mic night, tinkered some more, and finally found a good balance between character and story.
On May 3rd 2011, I sent the piece off to Eclectic Flash, and it was accepted.
The Numbers:
1st Draft: 441 words
Final Draft: 692 words
Days from Idea to Acceptance: 520
Rejections: 4 form, 1 personal
7-day Acceptance
The Lessons:
Get other people’s eyes on your stuff – My critique group at the time was able to pinpoint what I needed to do to take my story to the next level, even though I was unable to execute their suggestions to my satisfaction.
Stories take time to get right – I am convinced the iterative process of revising, submitting, revising, submitting is what led me to the version of the story that was published. This means waiting for each market to get back to you before submitting it somewhere else. I was/am too new a writer to think I’ll get my story right the first time, so trial and error was a great way for me to learn and grow my craft.
Don’t expect overnight success – 520 days. Enough said.
Intrepid readers will note that I have another story in the September 2011 issue of Eclectic Flash, but I’ll talk about that piece in another post.
In the meantime, happy writing!
var gaJsHost = ((“https:” == document.location.protocol) ? “https://ssl.” : “http://www.”); document.write(unescape(“%3Cscript src='” + gaJsHost + “google-analytics.com/ga.js’ type=’text/javascript’%3E%3C/script%3E”)); try { var pageTracker = _gat._getTracker(“UA-15029142-1”); pageTracker._trackPageview(); } catch(err) {}
I’m coming off a summer of insane productivity. For me.
And although I’ve done some work on two of my novel-length projects, the name of the game has been short stories.
Five of them in the 4-6k range, all speculative fiction. Two were written before the summer, and I’ve been revising and soliciting feedback on them. The other three were drafted this summer. One was accepted by an anthology. The remaining two I hope to have submission-ready by next month. Fingers crossed.
I’ve started to workshop the pieces with like-minded members of my local meetup writing group – a breakout group of those who were actively pursuing publication and were already at a certain level with their craft. This group of ladies has provided some hugely helpful feedback (even though we all write very different things).
Something that has been consistent in their comments is that each short story could be so much more. Sometimes that means I have to flesh out the world or the story a bit more. But most of the time it means they think I should be writing a novel instead of a short story. That my short stories are novels in disguise.
I’ve talked before about my difficulties in writing short – and believe me, I’m aware of the irony that my other publishing credits are flash fiction.
What’s a girl to do? Well, I’m not opposed to writing novels, obviously. In fact, my “natural length” is probably more novel than short story (and writer Juliette Wade has a great post on this: Natural Length and the Fractal Nature of Stories). The problem is I’ve got two speculative fiction projects already queued up. So converting any of the stories in this current batch into a longer work won’t be happening any time soon.
Then there’s the advice that writing short can be a great way to jumpstart your career (see Lydia Sharp’s post The Benefits of Writing Short and The Long on the Short post from Magical Words). And that’s what I was trying to do with these stories that I’ve turned out this year.
So, as I revise, I’m working hard to do the following:
1) Streamline story elements as much as possible without compromising my view of the story world
This may mean simplifying plot points or removing certain features of the world – especially if they open up a whole host of questions that my story doesn’t address. I often add in aspects that I think flesh out the worlds in a shorthand way, but oftentimes these are the same things my writing group calls me out on. As Juliette Wade points out in Worldbuilding for Short Stories: “in a short story, you have very little room to explain or explore. Everything you do has to be done in as few words as possible.” So Poe’s assertion that every element of a short story should work in concert to achieve a unity of effect is something I need to keep in mind.
2) Find ways to develop character without developing character
Calm down. I’m not advocating one-dimensional characters. But in SF/F stories, where worldbuilding and story action demand a not insignificant portion of the story, that doesn’t leave you with a whole lot of room to devote to your characters. This is where voice is so important – and it’s no surprise that all the short stories I’m working on are written in first person. I vowed at the beginning of the year to write in first person to help me really sink into my characters and that’s proven doubly helpful in terms of developing character without slowing the story action down.
3) Analyze all the themes/issues/plot points and decide if they are best served by the short story form
This is always tough. I have to decide if I can fit everything into one story. Or, if I remove some elements, will the story be stronger? If not, maybe I should just save it for a novel. I fear this is already the case with one of my short stories, but I will give it the old college try at keeping it short. Besides, more than other genres, lots of SF novels started out as short stories, and I’m just following the trend…
Have you ever been told you have a novel masquerading as short story? Did you end up paring your story down? Or did you turn it into a novel? Happy writing!
var gaJsHost = ((“https:” == document.location.protocol) ? “https://ssl.” : “http://www.”); document.write(unescape(“%3Cscript src='” + gaJsHost + “google-analytics.com/ga.js’ type=’text/javascript’%3E%3C/script%3E”)); try { var pageTracker = _gat._getTracker(“UA-15029142-1”); pageTracker._trackPageview(); } catch(err) {}
Lauren C. Teffeau 